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To the Baltimore Sun in 1923, she bragged about Rosalind’s basis in her experience and also called herself Scott’s “official critic.” Zelda also gave interviews on Scott’s behalf when he had a book out. The tone was tongue-in-cheek, but she also wrote that she: As early as 1922, she was asked to write a review of The Beautiful and the Damned, his second novel. Zelda was also a marketing asset, both in and out of the books. When Daisy Buchanan, in The Great Gatsby, says, “I hope she’ll be a fool - that’s the best thing a girl can be in this world, a beautiful little fool,” she’s famously speaking Zelda’s words at the birth of their daughter, Scottie. He did this over and over again throughout the marriage. There was the living, breathing person, and there was the Zelda that Scott kept putting on the page. That’s not a biographer’s inference, by the way, but intentional fact: In a 1918 letter to Zelda, enclosing a chapter of the manuscript, Scott wrote, “… the heroine does resemble you in more ways than four.”įrom the start, then, there were two Zeldas in the Fitzgerald marriage. A version of Zelda is in that novel as the charming, flighty Rosalind. She married him in 1920, after he’d published a tremendously successful first novel, This Side of Paradise. She met Francis Scott Key Fitzgerald in 1918, at an officer’s ball. Zelda Sayre was born in 1900, the third daughter of a judge in Montgomery, Alabama. It doesn’t give much of a glimpse of the contents inside. Everyone knows that Zelda is synonymous with glamour. But now, it often feels like we have poured them back out. (Or an excuse for a party.) She is a cultural icon into which people poured a lot of ideas about what it was like to be a woman of the world. Over the years people have seen a lot of different things in Zelda: a starlet, dead weight, a feminist heroine, an artist, and a tragedy. The trouble in either eventuality is that Zelda was not a breezy fit for likable best-sellerdom. Johansson, to my eye, is a little bland, and Lawrence too much like a best friend, to capture Zelda. In other words: The book was a good template for Hollywood, which, as it happens, has two dueling Zelda biopics in development, one starring Jennifer Lawrence and the other Scarlett Johansson. Her suffering is present but not particularly serious. She often pauses to tell us what dress she has on at the moment, or what she intends to change into, but her time in a mental hospital is condensed to one cursory chapter. Zelda narrates the book, and her tone is glamorously world-weary as she describes her troubled marriage and her Left Bank antics. Dutifully, Fowler’s Z became a best seller without much critical enthusiasm behind it. After that book went everywhere, there was an appetite in publishing for books about tormented writers’ wives. It was published after the great success of The Paris Wife, a novelization of the life of Ernest Hemingway’s first wife, Hadley Richardson.
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In spite of its airy tone, the novel is a cagey bit of work. Too bad they picked the bland one of Therese Anne Fowler’s 2014 novel, Z. There are a lot of Zelda Fitzgeralds, to be fair, and the show has simply chosen among them. Any sense of creative aspiration, or eccentricity, or even just a sense that she is totally, unresolvably not like other people - traits we know, from her writing, that Zelda Fitzgerald had by the time she met Scott - is absent.
It’s a bad sign that these are the things the writers found most important to tell us about Zelda in the pilot, which ends at the ball where Zelda first met F. In the first episode of 10, out Friday, she’s indistinguishable from every plucky Southern belle we’ve ever had onscreen, going right back to Scarlett O’Hara. Ricci doesn’t act much as I’ve always understood Zelda to act, either. The one quality the two women could be said to share is a kind of otherworldly look - beautiful but different. Ricci has eyes too big and expressive, and she doesn’t have Zelda’s tiny mouth and oddly sturdy frame. From the opening scene of Amazon’s Z: The Beginning of Everything, one can’t help but chart the differences. First, it must be said: Christina Ricci looks nothing like Zelda Fitzgerald.